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Thirty-three-year-old Valentine Roncalli is an apprentice shoemaker in her family business, learning to craft beautiful hand-made shoes from her grandmother while enduring the pressure from her Italian-American family to find a man and settle down. Just as she discovers the family business is in seriously financial difficulty, she meets Roman, a successful chef, and the possibility of a relationship with somebody who understands the pressures of her work becomes real. But what does Valentine really want?
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A RomCom in Space – easy, right?
Dumped, my new radio play, was released last week. In this article I’m going to talk about some of the things I like and don’t like about what I wrote, and some of the techniques I used to make a romantic comedy on an exploding spaceship hold together (all of which you are welcome to steal.) But first, if you haven’t listened to the play, now is a good time – because the article contains spoilers!
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I won a thing!
It was slightly surreal, but just as we were reaching peak activity with the Little Wonder Radio Play Competition I won a stage play competition. I’m certain that organising the first helped me with the second, although the two were quite different. Cité 27 wanted a 27-minute-long stage play, to be played in a 27m2 space, to an audience of 27 people, using only 3 actors. One of the organisers got in touch with me about 10 days before the deadline to say “hey, have you seen this, you should think about submitting”, and because I love a) a deadline and b) a brief, I said “sure, great.” The next day my wife went into labour.[i] Somehow, I managed to finish some sort of play and send it the day before the deadline.
A couple of weeks later I got a lovely email confirming my play had been selected. How? How could such a thing happen? Did I really write a winning play in a week at the same time as dealing with a new baby and very tired wife? Just how many chickens did I sacrifice to Satan?
Well, I can promise you that no chickens were harmed, and that it certainly had nothing to do with talent. But I do have some thoughts about what worked. Read on if you’d like to learn how to fluke your way through a play competition.
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How On Earth Did We Make a Radio Series – And How Can You Do It As Well?
The last episode of our 5-part sci-fi comedy Space Station Zeta released yesterday! This is a big deal for us, and I hope you’ll check it out. In this article I’ll talk about how we did it and how you can write your own – how to develop the initial idea, how writing a series is different from a one off, how to record your own series and the pros and cons of a series compared to one off plays.
Before that, you really should listen to the plays – first, there are major spoilers in the article, second, it’s funny, I promise! So here it is: Space Station Zeta, All Five Episodes, about intelligence, love, and Chairman of the Federation Ronald Dump. Once you’ve listened, come back after the break to find out how to do it yourself.
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When we launched a month ago we hoped to achieve a thousand listens to our full cast audio dramas by September 1st. Instead, we have had more than two thousand listens in one month and a day!
To thank you for helping make this amazing, crazy adventure a success, a bunch of us got together and made a new comedy, “Loopie-Loop”, in 72 hours of SFX cock ups, line errors, unstoppable giggling and general wonderfulness. Here in this post you’ll find a new, very silly play, made specially for you to say “wow, you’re brilliant, you’ve proved that radio is very much alive!”
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